Tuesday, November 20, 2007

weird family band

Jason Schwartzman: Rebel without a pause
As one of the Coppola clan, Jason Schwartzman was bound to be in film. But his eccentric career owes as much to hard work as it does to his family connections, says Kaleem Aftab
Published: 19 November 2007
Jason Schwartzman is not your typical leading man. He plays extreme characters who are not immediately likeable. In Marie Antoinette, Rushmore and I í Huckabees, he plays men who have no sense of humour and are obsessive to the point of being avoided by other characters. When directors need a quirky anti-hero, they turn to Schwartzman. The thing I really didn't get until I met him was that, more often than not, he would also be the love interest. His latest film, The Darjeeling Limited, stars Adrien Brody and Owen Wilson as fraternal rivals, yet it's Schwartzman who gets all the girls. As soon as I sat down with the actor I realised I'd done his looks a huge disservice. The 27-year-old has hypnotic features: green eyes, a huge Roman nose, high cheekbones and silky hair that droops asymmetrically over the left side of his face. As we start chatting, his foot brushes my leg under the table and I joke that he should stop playing footsie with me. He then bashfully sits with his legs crossed like a Yogi on the dining table chair.

Schwartzman is also one of the writers and producers on the film. The genesis of The Darjeeling Limited was when director Wes Anderson called him up with an idea to make a film about three brothers on a train in India. Schwartzman jumped at the opportunity to work once again with a director famed for his irrelevant asides and idiosyncratic humour. They first worked together on Rushmore back in 1998 when Schwartzman made his movie debut, and they've remained fast friends ever since.

What the Los Angeles-born star liked about Anderson's premise was that it provided an opportunity to portray a family. He is the fourth of five children, and it's hard to avoid talking about families with him since he comes from Hollywood royalty. His father is the producer Jack Schwartzman, who died of cancer in 1994, and his mother is Talia Shire, most famous for her roles in Rocky and The Godfather. Francis Ford Coppola is his uncle and Coppola's son, fellow Darjeeling Limited producer and writer Roman Coppola, directed him in CQ; Sofia Coppola, another of the clan, directed Schwartzman as Louis XVI in Marie Antoinette. The only family member it seems he hasn't worked with is his cousin Nicolas Cage.

However, mention of the Coppola family makes Schwartzman wince, as if he wants to play down the connection. He says: "Family seems to be this thing that must be maintained. Without maintenance it can get messed up very quickly." He then explains how being a member of the Coppola clan didn't have a huge impact on his upbringing: "I don't even think I even saw Rocky until I was in my double digits. When I was born, my mom made this real effort and she stopped working, I think maybe she did Rocky III when I was born, and obviously IV and V, but I think that was only because they were a part of a series that had already begun. I feel lucky in that I had a mum who loved movies and who loved music and she obviously is a good actress, but at the same time she wasn't Hollywood hungry. These days, actors have their kids around them all the time and I don't think it was like that for me growing up. My experience wasn't that of a jet-set child by any means."

We're on happier ground when conversation returns to his acting career. Talk turns to Hotel Chevalier, the short film that accompanies The Darjeeling Limited. It is a two-hander with Schwartzman and Natalie Portman, which takes place in a hotel room in Paris two weeks before the events depicted in the feature. Full of quirky asides and great dialogue, its killer moment is provided when Schwartzman plays Peter Sarstedt's "Where Do You Go to (My Lovely)" in anticipation of Portman's arrival. It's the set-up for a belly laugh moment in The Darjeeling Limited. "That was Wes's idea and that song inspired the whole short," says Schwartzman. "We had already begun working on the feature film but we didn't have any scenes written. We just had three brothers on a train in India, and some loose plot ideas. Wes called me on the phone and all of a sudden he started to play the song and he said we should make something from it."

Thankfully Anderson didn't play the Right Said Fred version, but Schwartzman is genuinely excited to hear that the British troupe has done a cover of Sarstedt's classic. Indeed, any mention of music brings Schwartzman alive. Conversation goes from staccato responses to operettas. As a child, he wanted to be a rock star rather than an actor. Schwartzman became the drummer in the band Phantom Planet at the age of 14. He quit to concentrate on his acting career but the pull of music has been too strong. His latest venture goes by the name of Coconut Records. He says: "I made the solo album because I've been writing songs since I left my band. I was a bit directionless, because I was writing all these songs but I didn't know what I was supposed to do with them, I just loved writing them and that was enough. At a certain point I was, like, 'should I be recording these?' So I created a home studio and recorded the whole thing in eight days, playing all the instruments. It's kind of sloppy if you listen to it, but it was fun nonetheless."

To sell the albums he started his own record label called Young Baby Records. "If you go to the Young Baby Records website you get a copy of the CD and a Polaroid that I've taken because I don't have enough money to produce one of these crazy flip-out, fold-out cover layouts. This way it's more personal and everyone gets their own special one-time thing." The desire to be individual is typical of Schwartzman, and it's these attributes that he brings to his on-screen characters. I'm struck by how earnest he seems in everything he says. Musically, he was inspired by Nirvana, and when I tell him that I saw them play he gets visibly excited and begins asking me more questions than I'm throwing at him.

Keeping to the music theme, after The Darjeeling Limited we'll be seeing him play Ringo Starr in the Judd Apatow-produced spoof of music biopics, Walk Hard: the Dewey Cox Story. It will be unusual to see the actor on screen so soon, as his work rate since his Rushmore debut has gone at a snail's pace � he's appeared in just nine feature films. He says of his indolent work-rate: "I'm very adamant about trying to maintain something and trying to do good work, and I'm casual when it comes to the idea that you have to make a movie for the sake of making a movie, because I don't believe in that at all.

"I don't have an expensive life. I'm much happier not working on a film and making a record or just writing a song. It just seems kind of weird to do something I don't love. I definitely don't fault actors for taking work because they need the money. But I'm not really good at waiting around and that is why I have my Coconut Records and things, because it just means I can keep going all the time. I'd rather be slow and continuous than working [on a film] and taking eight months off. Time off is something I don't understand."

As for the characters he plays, my time with Schwartzman has me convinced that he's far too nonchalant to be like the oddballs he depicts. Schwartzman begs to differ: "There is an element of me in them. I can definitely get focused on things and a little bit blind to what is around me. I can literally sit in front of a stereo and listen to the same record all day long. But the characters I've played also fit into the types of movies that the people I want to work with are making, which are not normally like Hollywood films and are more custom-made. The movies that they make seem to be more character-driven. Then that definitely leads to a character who is on the brink of something rather than a character who is doing nothing."

As for Schwartzman, he's on the brink of being one hugely successful actor.

'The Darjeeling Limited' opens nationwide on 23 November

Interesting? Click here to explore further Family was an English rock band that formed in 1967 and disbanded in 1973. Their style has been characterised as progressive rock, although their sound often explores other genres, incorporating elements of such styles as folk, psychedelia, acid, jazz fusion and basic rock 'n' roll. The band was never particularly successful in the United States, although Family did achieve recognition in the UK, appearing at several festivals.[1][2][3][4]

The band's rotating membership throughout its relatively short existence led to a diversity in sound throughout their different albums. Family are also often seen as an unjustly forgotten act,[1] relative to some other bands in existence during the same era, and have been described as "odd band loved by a small but rabid group of fans".[2]

1 History
1.1 Early years (1967�1969)
1.2 Later years (1970�1973)
2 Music
3 Personnel
3.1 Musicians
3.2 Session musicians
3.3 Producers
4 Discography
4.1 Studio albums
5 References
6 External links

[edit] History

[edit] Early years (1967�1969)
Family formed in 1967 in Leicester, England from the remaining members of a group that was previously known as The Farinas[2][5] and later The Roaring Sixties, whose sound was grounded in R&B.[6] The Farinas originally consisted of John "Charlie" Whitney, Tim Kirchin, Harry Ovenall and Jim King, forming at Leicester Art College in 1962. Ric Grech replaced Kirchin on bass in 1965 and Roger Chapman joined the following year on vocals. The American record producer Kim Fowley suggested they call themselves "The Family", as they regularly wore double-breasted suits in performances, giving themselves a mafia appearance, a look they soon abandoned in favour a more casual dress code. Family's debut single, "Scene Through The Eye Of A Lens/Gypsy Woman", released by Liberty Records in October 1967, was not a particular success. Around this time, drummer Harry Ovenall was asked to leave the band and was replaced by Rob Townsend.[5][6]

The band's debut album Music in a Doll's House, released in July 1968, was produced by former Traffic member Dave Mason.[6] Mason also contributed one composition to the album, "Never Like This", the only song recorded by Family not written by a band member.[7] Music in a Doll's House charted at #35 in the UK to critical acclaim[4] with the support of radio broadcaster John Peel around this time.[6] The highly original[8] sound of the album was characterised by Chapman's vocals, rooted in the blues and R&B,[2] combined with several unusual instuments for a rock band, courtesy of the presence of multi-instrumentalists Grech and King, including saxophones, violin, cello and harmonica.[8] Family's 1969 follow-up Family Entertainment toned down the psychedelic experimentation of their previous offering to some extent,[9] reaching #6 on the UK album charts[6][4] and featured the single "The Weaver's Answer".

With the UK success of Family's first two albums, the band undertook a tour of the United States, although they ultimately never achieved great recognition there due to several problems with the tour. During their first tour of the US in 1969, Ric Grech left the band to join the new supergroup Blind Faith[6][4] and was replaced by John Weider, previously of Eric Burdon and The Animals.[10] Also, a big handicap to Family's success in the United States came about during their first concert at Bill Graham's Fillmore East, whilst sharing the bill with Ten Years After and The Nice: Chapman, during his stage routine, lost control of his microphone stand which fell in Graham's direction,[6][11] an incident from which Family's reputation in the US never recovered.[12] However, the band did appear at The Rolling Stones' Hyde Park gig and the Isle of Wight Festival that summer. In late 1969, Jim King was asked to leave Family due to "erratic behaviour" and was replaced by multi-instrumentalist John "Poli" Palmer.[6][4]

[edit] Later years (1970�1973)
In 1970, Family played a few more gigs in the United States, appearing in San Francisco and Boston. In early 1970, Family released their third studio album, A Song for Me, becoming the highest charting album the band released, reaching #4 on the UK album charts.[6][13] The album itself was a blend of hard rock and folk rock.[14] Family's new lineup played at major rock festivals that summer, including the Kralingen Festival in the Netherlands and the Isle of Wight Festival for the second year in a row.[6] The band appeared in the documentary film Message to Love about the latter festival.[15]

Family's followup album Anyway, released in late 1970, had its first half consist of new material recorded live at Fairfield Hall in Croydon, England, with the second half a set of new songs recorded in the studio, and reached #7 on the UK charts.[6][16] In March 1971 the compilation album of previously recorded material Old Songs New Songs was released, and during that year Weider left Family to join the band Stud and was replaced by former Mogul Thrash bassist John Wetton.[6][4][17] As with Ric Grech in Family's original lineup, Wetton also shared vocal duties with Chapman, and this line-up soon released Family's highest-charting single "In My Own Time/Seasons" which reached #4, and the album Fearless in October 1971, which charted in both the UK and the US.[17][6] In 1972, another album, Bandstand was released, which leant more towards hard rock than art rock,[18] featuring the single "My Friend the Sun" which was released in early 1973.[6]

In mid-1972, John Wetton left Family to join a new lineup of King Crimson and was replaced by bassist Jim Cregan, and at the end of that year John "Poli" Palmer also left the band and was replaced by keyboardist Tony Ashton, previously of Ashton, Gardner and Dyke.[4][6] After Wetton's departure but before Palmer's exit, Family toured the United States and Canada, as the support act for Elton John. In 1973, Family released the largely ignored It's Only a Movie, which would be their last studio album, followed by another tour.[6][19]

Family gave their final concert at Leicester Polytechnic on October 13, 1973.[6] The band never reformed, but instead many of its members went onto different musical projects; Roger Chapman and John "Charlie" Whitney formed the band Streetwalkers,[2][4] and John Wetton eventually became the lead singer of the band Asia.[20] Ric Grech died of kidney and liver failure in 1990 at the age of 43, as a result of alcoholism.[2][6][21] Tony Ashton died in 2001 at the age of 55 of cancer.[22]

[edit] Music
Family's sound was distinguished by several factors. The vocals of Roger Chapman, described as a "bleating vibrato"[23] and an "electric goat",[1] were considered unique, although Chapman was trying to emulate the voices of R&B and soul singers Little Richard and Ray Charles, with some reviewers noting however that Chapman's voice could be grating and irritating occasionally.[3][1] John "Charlie" Whitney was an accomplished guitarist,[3] and Family's often complex[23] song arrangements were made possible through having multi-instrumentalists like Ric Grech and Jim King in the band. The band's sound has been variously described as progressive rock, psychedelic rock, acid rock, folk rock, jazz fusion and hard rock.[3][1]

Family were particularly known for their live performances; one reviewer describing the band as "as one of the wildest, most innovative groups of the underground rock scene", noting that they produced "some of the rawest, most intense performances on stage in rock history" and "that the Jimi Hendrix Experience were afraid to follow them at festivals".[23]

Georgiy Starostin notes that the band's sound can most closely be compared with Traffic, but that Family were a considerably stronger group. Family was an influence on Jethro Tull, with Ian Anderson noting that the band were particularly underrated.[1]


Post a Comment

Subscribe to Post Comments [Atom]

<< Home